presents work by five international artist/artist groups who have captured animal voices through the use of human technology. Explore the galleries for free as we question the relationship between human and animal. And Say the Animal Responded? The public spaces of FACT in Liverpool echo with the recorded din of human primatologists mimicking calls of their hominid subjects. Under other circumstances, Kuai Shen’s Oh!m1gas would be fodder for nightmares. There’s always one clever pointy face turned skywards, but it’s never the same wolf watching the drone for long. In the exhibition And Say the Animal Responded? It’s fitting, as I could think of no word closer to the common thread that runs through the work on display at And Say The Animal Responded? I am constantly amazed at the bizarre (and often contradictory) relationships human animals have with non-human animals -- and I encounter thought-provoking… Explore the galleries for free as we question the relationship between human and animal. And Say the Animal Responded? Artist and sometime speculative biologist Alexandra Daisy Ginsberg wonders why we are so giddy to rush into creating new life forms – or not-quite-life forms, such as artificial intelligences – that we let slip whole species. There’s a neat punchline as you leave the gallery. Other artists include Amalia Pica with Rafael Ortega, Kuai Shen, Demelza Kooij and Alexandra Daisy Ginsberg. is at FACT, Liverpool, 12 August – 13 December 2020 A corrective to that assumption is provided by sacred stories of speaking animals—stags, asses, dogs, lions…—who break into the closed human circle of the word. I am also a master's student studying art history with a focus on animals in art, particularly medieval bestiaries. Apr 16, 2011 - And Say the Animal Responded? presents work by five international artist/artist groups who have captured animal voices through the use of human technology. In Pan Togolodytes Ellioti and Cousins, female chimps – their cheeks hollow and breasts limp from nursing – greet us on a big screen as we enter the main gallery. FACT’s new Director/CEO Nicola Triscott curates And Say the Animal Responded?, featuring a series of artists’ film and sound-centred installations that capture the animal voice through human technology, even (using machine learning and artificial intelligence) those of animals that have recently become extinct. I am also a master's student studying art history with a focus on animals in art, particularly medieval bestiaries. How might our understanding of the world around us shift if we could communicate with other species? science-y artists and arty scientists ponder interspecies communication. Subsequently, we’ve been reminded what birdsong sounds like, buffalo appeared on a New Delhi highway and the seagulls of Brighton were forced to fall back on a paleo diet rather than loot bins on the promenade. 12:31 am Less Than I Believed. A corrective to that assumption is provided by sacred stories of speaking animals—stags, asses, dogs, lions…—who break into the closed human circle of the word. The most charismatic of the megafauna contributing to the show participates from beyond the grave. Laura Hobgood-Oster's essay contests the assumption, embedded in Christian theology and western philosophy, that words position humans as superior to animals. And Say the Animal Responded? What might they say to us about their world? date: 19 July 2020. And Say the Animal Responded? Works by Ariel Guzik (Mexico), Amalia Pica (Argentina/UK) with Rafael Ortega (Mexico), Kuai Shen (Ecuador), Demelza Kooij (Netherlands/UK) and Alexandra Daisy Ginsberg (UK) immerse visitors … I n the exhibition And Say the Animal Responded? I n the exhibition And Say the Animal Responded? At a time when billions of animals are being lost because of human activity, we still place the interests of humans above those of animals. Derrida’s main goal is to deconstruct Lacan’s idea of a distinction between human and animal. Triscott says: “At a time when we need to rethink our relationship with the planet, it is timely to consider the nature and rights of animals. . science-y artists and arty scientists ponder interspecies communication. presents work by six international artists who have captured animal voices through the use of human technology. creates a space for the voice of the animal that we have gained greater awareness of during this time. In the exhibition And Say the Animal Responded? The vinyl being played carries amplified recordings of ant communication (including sounds known as “scratching” – the DJ set-up is an in-joke for ant nerds.). An elegant glass structure houses leafcutter ants and monitors their behaviour to control the movement of a pair of turntables. presents work by six international artists who have captured animal voices and gestures through the use of human technology. And Say the Animal Responded? I don t think so. It expands from a long-term research project, which sees him communicate musically with whales and dolphins in the wild using his instrument, Nereida. If we put the animal’s perspective before that of the human, what would they tell us about the current state of the planet – and what can we learn from … Date: 04 June 2019, 10.00 AM - 04 June 2019, 12.00 PM Venue: Musicology Library, Manne Siegbahn Building, Frescativägen 22B . homo technicus) and their great ape kin. n the exhibition And Say the Animal Responded? The show features a selection of video works and sound-centred installations by five artists/artist groups from around the world that seek to bring us closer to animals’ sonic lives. science-y artists and arty scientists ponder interspecies communication. What would animals say to us if we listened to them? Their co-stars include some of the world’s great brains and hive minds: wolves, cetaceans, apes, pachyderms, colonies of ants and choruses of birds. Workshop: “And Say the Animal Responded?” EVENT Date: 04 June 2019, 10.00 AM - 04 June 2019, 12.00 PM Venue: Musicology Library, Manne Siegbahn Building, Frescativägen 22B We human people raised on David Attenborough documentaries already knew this, kind of, but it was a shock during lockdown to see the difference made by a few weeks with our collective foot off the gas. And Say the Animal Responded? Experience our new exhibition from the viewpoint of an animal or insect. All of the essays were taken from Derrida's various addresses at the 1997 Cerisy conference. They work, silently, as a group while going about their lupine stuff: playing, nipping, nuzzling. The Animal That Therefore I Am (French: L'Animal que donc je suis) is a book based on the ten-hour address on the subject of "the autobiographical animal" given by the French philosopher Jacques Derrida at the 1997 Cerisy Conference and subsequently published as a long essay under the title, "The Animal That Therefore I Am (More To Follow)". If we listened to animals, what would we hear? The watcher is being watched and judged. . Their co-stars include some of the world’s great brains and hive minds: wolves, cetaceans, apes, pachyderms, colonies of ants and choruses of birds. creates a space for the voice of the animal. And Say the Animal Responded? A reanimated rhino mixes with DJs and dancers in a captivating show that explores our fragile connection to other species. creates a space for the voice of the animal. A question that once might have arisen only amid the nerdiest scenes of late-night dorm offers only a glimpse of the richness and complexity of the animal kingdom; questioning not only how animals might communicate with humans, but crucially, whether we are able to listen. My name is Susan (I prefer Susie), and I am an animal - "Susanimal." And Say the Animal Responded? If we put the animal’s perspective before that of the human, what would they tell us about the current state of the planet – and what can we learn from this? In the exhibition And Say the Animal Responded? What might they say to us about their world? Featuring a series of artists’ film and sound-centred installations that capture the animal voice through human technology, even (using machine learning and artificial intelligence) those of animals that have recently become extinct. creates a space for the voice of the animal that we have gained a greater awareness of during this time by immersing visitors in animals’ sonic lives: from an ocean choir of whales and dolphins recorded by hydrophones to the quiet interactions between wolves captured by a drone camera, to a living colony of leafcutter ants ‘scratching’ music in the gallery. In other words, a critique more radical than a Levinasian ethics is needed. Explore the galleries for free as we question the relationship between human and animal. presents work by five international artist/artist groups who have captured animal voices through the use of human technology. They have discovered a camera recording them in their forest in Nigeria and inspect it with facial expressions and gestures that appear (to anthropocentric eyes) much like human communication. Evoking the miserable reality of the matter, Ginsberg built The Substitute, a 2D northern white rhino controlled by artificial intelligence. And Say the Animal Really Responded: And Say the Animal Really Responded: Speaking Animals in the History of Christianity. Guzik designed the submersible musical instrument Nereida to connect with ocean mammals – in the deep sea, its subtle sound vibrations invite a chorus of responsive sounds from whales and dolphins; in the gallery, the instrument’s music and the recordings of this cetacean choir reverberate through space. Explore the galleries for free as we question the relationship between human and animal. It is a good moment for And Say the Animal Responded? Watching is not a neutral activity. And Say the Animal Responded? Experience our new exhibition from the viewpoint of an animal or insect. And Say the Animal Responded? Featuring artists Alexandra Daisy Ginsberg (UK), Ariel Guzik (Mexico), Demelza Kooij (Netherlands/UK), Amalia Pica (Argentina/UK) with Rafael Ortega (Mexico) and Kuai Shen (Ecuador). At a time when billions of animals are being lost because of human activity, we still place the interests of humans above those of animals. brings together the work of five international artists/artist groups, presenting visitors with face-to-face encounters with the sounds and behaviours of animals from around the planet. FACT in Liverpool is preparing to reopen its galleries from 12 August, beginning with And Say the Animal Responded, a new exhibition which was due to open back in March. Kuai Shen (Ecuador) is fascinated by social and biological insect behaviour. FACT’s new Director/CEO Nicola Triscott is also the curator for And Say the Animal Responded? brings together the work of five international artists/artist groups, presenting visitors with face-to-face encounters with the sounds and behaviours of animals from around the planet. creates a space for the voice of the animal. And Say the Animal Responded? Upon entering, visitors will be met with an ocean choir of whales … The largest family of works is Amalia Pica and Rafael Ortega’s exploration into communication styles of […] FACT, LiverpoolA reanimated rhino mixes with DJs and dancers in a captivating show that explores our fragile connection to other species, Last modified on Thu 13 Aug 2020 07.32 EDT. And Say The Animal Responded? Animal Alterity: Science Fiction and the Question of the Animal. The show takes its title from philosopher Jacques Derrida’s essay of the same name, in which he challenges any clear boundary between human and animal. And Say the Animal Responded?121. Why not visit our galleries for free and enjoy two floors of immersive art (and animals!)? presents work by five international artist/artist groups who have captured animal voices through the use of human technology. As we emerge from this period of isolation, and refocus our attention on a rapidly changing climate, And Say the Animal Responded? Come face to face with a life-size AI rhino and discover a colony of more than 10,000 leafcutter ants! at FACT sets out from an understanding that animals feel emotions and have distinct personalities and ways of communicating. of the species, of a visual re ection, in short, even in the absence of an actual male.5 It is indeed a matter of a specular gaze, of an image and a visual image, rather than identi cation by means of odor or sound. is at FACT, Liverpool, until 13 December. All the ant chatter and interplay hits an uncanny nerve, at once utterly alien and weirdly readable. That a creature is nothing greater than its DNA, alone and isolated, rather than an integral part of a complex system? As we emerge from this period of isolation and refocus our attention to a rapidly changing climate, And Say the Animal Responded? Their co-stars include some of the world’s great brains and hive minds: wolves, cetaceans, apes, pachyderms, colonies of ants and choruses of birds. Critical responses. Why not visit our galleries for free and enjoy two floors of immersive art (and animals!)? and say the animal responded. After the pandemic standstill,  FACT Liverpool have been able to jumpstart their physical exhibition programme with a show aiming once more to make us reflect on one of the current most popular matters: endangered nature and our relationship with it. And Say the Animal Responded? On March 19, Liverpool’s FACT launches its year of The Living Planet with the opening of a major new art exhibition, And Say the Animal Responded?. The artists, to integrate their animal muses into the exhibition space, seem to have first integrated themselves into the space of the animal. to Jacques Lacan Would an ethics like that Levinas attempts be suf cient to recall the sub-ject to its being-subject, its being-host or -hostage, that is to say, its being-subjected-to-the-other, to the Wholly Other or to every single other? In the exhibition And Say the Animal Responded? Experience our new exhibition from the viewpoint of an animal or insect. We are OPEN! homo technicus) and their great ape kin. review – artists make a fierce point. I am constantly amazed at the bizarre (and often contradictory) relationships human animals have with non-human animals -- and I encounter thought-provoking… science-y artists and arty scientists ponder interspecies communication. is an exhibition at Liverpool’s FACT (Foundation for Art and Creative Technology), the core component of their Year of the Living Planet programme. I first became interested in human-animal studies when I took a seminar called “Animals in Art of the Middle Ages and Renaissance” — and here I am, five years later, taking it yet again! Are we so puffed up with delusions of omnipotence that we actually think we’ll be able to bring back what we have destroyed? Explore the galleries for free as we question the relationship between human and animal. Sherryl Vint. Just as the chimps’ respond to something alien in their habitat, the wolves in Demelza Kooij’s Wolves from Above are alert to the drone hovering above them. The exhibition brings visitors into close encounters with ‘non-human’ animal intelligence and communication, prompting questions about whether humans are truly distinct from other animals and our responsibilities towards them.”. In “Violence and Metaphysics,” Derrida critique… brings together the work of five international artists and artist groups, presenting visitors with face-to-face encounters with the sounds and behaviours of animals from around the planet, including film and sound-centred installations that capture the animal … ARIEL GUZIK’s Nereida is a … offers only a glimpse of the richness and complexity of the animal kingdom; questioning not only how animals might communicate with humans, but crucially, whether we are able to listen. It’s fitting, as I could think of no word closer to the common thread that runs through the work on display at And Say The Animal Responded? And Say the Animal Responded? In the intervening period, we have become brutally aware of the interdependence of our living systems, and the fragility of life on Earth. In a related video, we see intimate footage of ant migration, the nomadic insects moving in apparently choreographed streams as they transport essentials: eggs, larvae, bits of leaf, legs ripped off other insects. Yet, we rarely consider the destruction of habitats and species extinction means beyond their loss to us. science-y artists and arty scientists ponder interspecies communication. What would animals say to us if we listened to them? Alongside, Guzik premieres his new film, charting the expedition of his latest instrument Holoturian into the depths of the Pacific Ocean. at FACT, City Centre, Until 13 December 2020, free entry - Visit now. More than that is required to break with the Cartesian Their co-stars include some of the world’s great brains and hive minds: wolves, cetaceans, apes, pachyderms, colonies of ants and choruses of birds. 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and say the animal responded

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